Milo Yiannopoulos, the polarizing Breitbart News editor, speaks at California Polytechnic State University as part of his "The Dangerous Faggot Tour" of college campuses, Tuesday, Jan. 31, 2017, in San Luis Obispo, Calif. His speech was met with dozens of angry protesters outside a campus theater. (David Middlecamp/The Tribune (of San Luis Obispo) via AP)

It’s a tough gig, being Milo Yianopolous these days. The one-time flamboyant darling of Breitbart News has seen his ship of success run aground on the rocky shores of reality. That being in the form of an editor, who repeatedly punctured the right wing clown with his blue editing pencil.

Talking Points Memo reports:

As evidence for why Simon & Schuster did not want to move forward with publication of self-proclaimed far-right “troll” Milo Yiannopoulos’ autobiography “Dangerous,” the publisher has offered up the manuscript itself—annotated with a litany of scathing notes from one of its top editors.

The draft was included in court documents the publisher recently filed in New York State Supreme Court to defend its February decision to cancel a publication deal with Yiannopoulos worth $225,000. Yiannopoulos sued for $10 million in July over a breach of contract.

Of course, anyone whose writing has ever been subjected to the sharp eye of an editor knows the feeling of being made small by a blue pencil note in the margins of a manuscript. Imagine how tiny Milo must have felt.

Manuscript notes from editor Mitchell Ivers show the impossible task Simon & Schuster faced: prodding an individual who built a career at Breitbart News off of demeaning Islam and using the word “lesbian” as a slur to produce a book suitable for mainstream publication.

Over and over, Yiannopoulos’ characteristic self-aggrandizement, penchant for ethnic smears, sloppy logic, and lack of humor are criticized by Ivers.

“Delete irrelevant and superfluous ethnic joke,” Ivers writes of a line about “informing cab drivers that curry is not a deodorant.”

“Don’t start chapter with accusation that feminists=fat. It destroys any seriousness of purpose,” he notes on a section titled “Why Feminists Hate Me.”

“If that headline is hate speech, THIS WHOLE BOOK is hate speech,” he implores on a section about a piece by Guardian columnist Jessica Valenti titled “Feminists Don’t Hate Men, But It Wouldn’t Matter If They Did.”

The “superficial and nonsubstantive” quality of the work is what ultimately prompted Simon & Schuster to cancel the book contract, Ivers said in a sworn affidavit. The decision to do so came at around the same time that Yiannopoulos was forced out from Breitbart and dropped from the Conservative Political Action Conference after a video surfaced in which he appeared to defend pedophilia.

Despite the lead poisoning from the editor’s blue pencil, Milo has reason to keep his chin up and his upper lip stiff.

He gets to keep the $80,000 advance.