Ginger had heard of Indecline before the activist collective contacted him earlier this year. The sculptor had seen their “Dying for Work” billboard installation in Las Vegas, where he moved in 2012 to become the director of Eli Roth’s Goretorium, a year-round haunted house featuring a host of lifelike monsters. “I thought that it was just…
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Remember being told that art is useless. We now have proof of art advancing the common good.